遠(yuǎn)觀山與都市的對應(yīng),晨間動靜對立、夜晚光影融合,源自于一種哲學(xué)的概念。在本案豪宅設(shè)計(jì)中,勃朗設(shè)計(jì)師將看似二元對立但又互相平衡的力量并行于空間之中,巧妙的形塑出空間寧靜祥和的氛圍,為生活注入包覆的安心感。
將公共區(qū)域順應(yīng)軸線開展至最大范圍,依照各區(qū)機(jī)能不同自然使空間中的人們凝聚,卻于動線形成回型,在空間中自在游走。透過不同材質(zhì)、柜體的分割、組合產(chǎn)生出各種不同律動型式,空間、量體、虛與實(shí)之變化。隨著室內(nèi)墻體與隱藏拉門的閉合,空間在時(shí)而收時(shí)而放的變化下產(chǎn)生不同的面貌。
The mountain view and city far, morning, night light opposition movement fusion, from a philosophical concept. In the case of house design, designers will seem to binary opposition but each other balance of forces in the space, clever shape plastic space a quiet and peaceful atmosphere, life into coated reassurance.
The regional public adaptation axis carry out to a maximum range, according to district function different natural make space in people's cohesion, but in circulation formation to, in space free walk. Through the segmentation of different materials, the cabinet body, combined to produce a variety of different rhythm types, space, volume, virtual and real changes. With the indoor wall and hidden doors closed, have different appearance change on the space charge and sometimes under.